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1. #SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW PATCH#
2. #SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW SIMULATOR#
3. #SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW DOWNLOAD#
4. #SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW FREE#

#SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW SIMULATOR#

When set to a pristine clean, this pedal adds just enough spank and sponginess to make you feel as if you're playing through a nice clean Fender amp - and the built-in speaker simulator (really just an analogue EQ curve) will take the sharp edges off your signal.

#SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW PATCH#

I mean do your audiences really care whether you're using a perfect model of a Marshall Superlead to play that Peter Green solo? No, but they will notice if you haven't quite set enough gain to get the notes to ring out and have to stop after the first few bars and put your glasses on to adjust your patch on a digital gizmo.Īnd so to the sound. And you can grab any of them during the gig to adjust, in a way that could take precious stage minutes of squinting on a digital box. This basically means that you can touch all the main bases of any gig's guitar tones with the interaction of the 'Voice' and the 'Gain' knobs. Sweeping this pedal though this spectrum will change its drive characteristics such that a moderate drive setting when the voice control is at the far left, becomes quite a heavy distortion when the voice setting is at the far-right. Essentially the 'Voice' control takes you smoothly from a Fender 57 Deluxe sound at far-left, through a Bassman/JTM45 sound in the middle, to a Mesa Boogie/JCM800 sound at far-right. The genius of this pedal is in its 'Voice' control. The 'Gain' control sets the amount of grit and the 'Level' control sets the ultimate volume of the pedal's output. The simplicity of its design is this - the top of the pedal contains three bands of very useful and powerful EQ - bass, mid and treble. Z head paired with Celestion V30s for grind, and a Soldano with Greenbacks for high-gain - only to find that when I was actually at the gig, that I hadn't programmed in quite enough grit on this patch, or slightly too much reverb on that - and found myself squinting at a little LCD screen trying to edit patches while the audience lost interest in me. Having used a Pod HD500 for years, I was used to spending hours at home programming presets, geeking out over using a Fender Twin model for clean sounds, and a Dr. However, though I bought it as a compromise, I soon came to love its hands-on, menuless simplicity and interactive tube-like response. I needed something that could take me from glassy clean to bluesy grit, with only the occasional venture into high-gain territory. but not have to lug around my Pod HD500 for a simple corner-of-a-bar gig. I bought this pedal as I needed to be able to simulate the sound of an amp so that I could play direct to P.A. As such it is designed to simulate a range of American amplifier sounds, from a Fender Deluxe to a Mesa Boogie. The Joyo American Sound is another of those naughty Chinese pedals that 'borrows' its design from a certain New York City-based designer of analogue amp simulation pedals.

#SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW DOWNLOAD#

#SLATE DIGITAL VMR COMPLETE BUNDLE REVIEW FREE#

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However, that being said, the Slate VTM seems quite popular with the the pros I know who use such things, probably a bit more than the others although the Waves is also popular as is the UA Studer, whose popularity is hampered by its hardware dependency.